From bloody death of stricken day,
And ocean's leprous agony,
My weary eyes I drew away.
"Ocean's leprous agony"? The poem does hint at the wit which would become Bierce's legacy. In fact, the title of the poem, "Basilica," implies a religious mood. Most of the poem stays true to that, treating a sunny day at the beach like a spiritual experience. "My soul grew drunken with its ray" from the "glinting sun," he writes, like "liquid April filling May."
But it's all a smokescreen. As the romantic narrator offers his ode to the beautiful day, he encounters the true source of the poem's title: a basilisk (or "cockatrice"). The creature can kill him with one look, but the narrator describes him with the same poetic sentiment he used to describe the beautiful day:
With jeweled teeth, alas! and breath
Whose touch to passion ministreth —
Sweet-spiced with aromatic death!
The reader can only assume the narrator does not survive this run-in. After "Basilica," the Californian printed another of his poems before Bierce turned to essay-writing and short stories. He later recalled, "when I was in my twenties, I concluded one day that I was not a poet. It was the bitterest moment in my life." In his Devil's Dictionary, he defined poetry as "a form of expression peculiar to the Land beyond the Magazines."
*Some information from this post comes from Ambrose Bierce: Alone in Bad Company
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.